This was largely how it appeared amongst the recycling pile. But why did it reach such a sorry state? I think I was going through a stage of tree denial. This was meant to be the most ambitious tree to date; intricate, challenging for the viewer and a step further towards abstraction. And it just was not working at the time.
Having decided to emulate the shape of willow trees I see on a daily basis dotted around the Somerset Levels, I used my hand and wrist to give the spread and lean of the pollard. I added another limb to help disguise the basic design. And as the painting developed it just got a bit too intricate and confusing, moving to far from my original vision. So as usual my patience waned, I got bored and frustrated and moved on after dumping it.
But why shouldn't it be intricate? Why not confusing? Why not challenging? Why not move it on a bit further and use it as a basis for painting motifs I have been storing for later use. So having found it I have been working hard over the last 2 weeks to get it sorted. It is naturally heavily influenced by Klimt, mosaic, textiles. It's also naturally got my own twist. And I have finished it this morning and here it is. A bit of a change I think.
Acrylic paint on box canvas, measuring 16 inches square. Completed on 10th May 2015.
If you want to buy the original, I will part with it for £250 but not a penny less.
Mounted and canvas prints will also be available very soon. Keep an eye on my website markbetsonartist.co.uk
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